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Though he died at the young age of 50, Glenn Gould left a remarkable legacy in classical recordings.
Child Progidy Related to Edvard Grieg on his mother’s side (her grandfather was Grieg’s first cousin), Glenn Gould (1932-1982) boasted an impressive musical heritage. A native of Toronto, he began attending the Toronto (later Royal) Conservatory of Music at the age of 10, earning his Associate Diploma by the time he was 14. In 1946, he made his first orchestra appearance performing Beethoven’s Fourth Concerto, and at 15 started playing professional recitals. Performance Years
Later LifeGould continued to record works in the studio until 1982, when soon after re-recording the Goldberg Variations, he suffered a stroke. Eccentric RecluseA recluse by choice, (quite possibly due to his autism), Gould preferred to avoid people. He was known to hum along during performance, an eccentricity that studios were never able to fully remove from his recordings. Bach and Schoenberg ExpertGould favored late Romantic and 12-note compositional styles. In 1953-55, he composed his only major work, a long 1-movement string quartet. Gould also preferred to perform Baroque, Classical, and the 2nd Viennese School composers. He recorded most of the works of Bach and Schoenberg. He was admired for his technical skill and intellectual understanding of music. Starter Recordings
The Zenph Re-PerformanceSources Consulted:
The copyright of the article Glenn Gould in Modern Classical Musicians is owned by Sarah Canice Funke. Permission to republish Glenn Gould in print or online must be granted by the author in writing.
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